Free PDF Black on Both Sides: A Racial History of Trans Identity
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Black on Both Sides: A Racial History of Trans Identity
Free PDF Black on Both Sides: A Racial History of Trans Identity
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Review
"Black on Both Sides challenges the historical account of trans studies invention by excavating a black trans presence and persona long before modern articulations of such. C. Riley Snorton offers us a way to read the historical record in a fashion that requires the unthought to be the basis of the foundation for our claims of newness, demonstrating that there is no revision of what it means to be human without coming through blackness, past and present."—Rinaldo Walcott, author of Queer Returns: Essays on Multiculturalism, Diaspora, and Black Studies"C. Riley Snorton's Black on Both Sides is a welcome contribution to black studies with the potential to influence future directions in the burgeoning field of transgender studies. It is rigorous scholarship that manages to be imaginative and timely."—Kara Keeling, author of The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense"In a beautifully written and brilliant intervention and extension—the first full length book ‘to examine the historical and contemporary importance of race to the constitution of “trans gender”’—C. Riley Snorton identifies and performs a black trans reading practice, from Anarcha to Transgender Days of Remembrance."—Christina Sharpe, author of In the Wake: On Blackness and Being"The research done here is stellar."—Washington Blade"This book is an outstanding contribution to conversations about black and trans studies; it will transform scholarly understandings of both fields and the intersections between them."—CHOICE"Black on Both Sides reminds us that when we are careful about how we tell stories, we get new, nuanced stories that expose systems for what they are and that honor historically ignored populations."—Autostraddle
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About the Author
C. Riley Snorton is associate professor of Africana studies and feminist, gender, and sexuality studies at Cornell University and visiting associate professor of American studies and ethnicity at the University of Southern California. He is author of Nobody Is Supposed to Know: Black Sexuality on the Down Low (Minnesota, 2014).
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Product details
Paperback: 256 pages
Publisher: Univ Of Minnesota Press; 3rd ed. edition (December 5, 2017)
Language: English
ISBN-10: 1517901731
ISBN-13: 978-1517901738
Product Dimensions:
5.5 x 1 x 8.5 inches
Shipping Weight: 11.4 ounces (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#21,731 in Books (See Top 100 in Books)
I was drawn to C. Riley Snorton’s Black on Both Sides: A Racial History of Trans Identity due to my interest in archiving and its usefulness for Black trans studies. Some of the questions taken up by the work are: What are the possibilities of archives and what narratives emerge from them? How does one engage with transness, particularly racialized trans subjects, in an archive? How does one define transness in the confines of Blackness and vice versa? By dissecting Snorton’s work, one notes that he provides a ruttier for how to engage in critical archival studies for research on Black individuals.Black on Both Sides traces Black “trans†subjectivity in the 19th and 20th century; each chapter takes up an event in history such as the nonconsensual gynecological testing of Black women in the 19th century or mid-twentieth century newspaper articles on individuals whose gender expression does not align with their assigned gender. He utilizes “trans†subjectivity to investigate moments where Black individuals become ungendered or transgress racialized gender boundaries. Snorton argues, that this work, “is not a history per se so much as it is a set of political propositions, theories of history and writerly experiments.â€(6) He draws upon on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, and Hollywood films.
In this exceptional and beautifully written book, C. Riley Snorton explores the intersections of blackness and transness. The range of archival materials is astounding and Snorton's analysis is just mind blowing. His resistance of the dominant periodization of trans as emerging with the clinic is incredibly compelling. Though the book’s title offers a “a racial history,†Snorton claims that “the problem under review here is time†(xiv) and that the book “is not a history per se so much as it is a set of political propositions, theories of history, and writerly experiments†(6). This book is required reading for anyone interested in race, gender, sexuality, medicine, history.
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